THE PHOENIX--BY AN UNCERTAIN AUTHOR. ATTRIBUTED TO LACTANTIUS
THE PHOENIX
BY AN UNCERTAIN AUTHOR. ATTRIBUTED TO LACTANTIUS.(1)
THERE iS a happy spot, retired(2) in the first East, where the great gate
of the eternal pole lies open. It is not, however, situated near to his rising
in summer or in winter, but where the sun pours the day from his vernal
chariot. There a plain spreads its open tracts; nor does any mound rise, nor hollow
valley open(3) itself. But through twice six ells that place rises above the
mountains, whose tops are thought to be lofty among us. Here is the grove of the
sun; a wood stands planted with many a tree, blooming with the honour of
perpetual foliage. When the pole had blazed with the fires of Phaethon, that place was
uninjured by the flames; and when the deluge had immersed the world in waves,
it rose above the waters of Deucalion. No enfeebling diseases, no sickly old
age, nor cruel death, nor harsh fear, approaches hither, nor dreadful crime, nor
mad desire of riches, nor Mars, nor fury, burning with the love of slaughter.(4)
Bitter grief is absent, and want clothed in rags, and sleepless cares, and
violent hunger. No tempest rages there, nor dreadful violence of the wind; nor
does the hoar-frost cover the earth with cold dew. No cloud extends its fleecy(5)
covering above the plains, nor does the turbid moisture of water fall from on
high; but there is a fountain in the middle, which they call by the name of
"living;"(6) it is clear, gentle, and abounding with sweet waters, which, bursting
forth once during the space of each(7) month, twelve times irrigates all the
grove with waters. Here a species of tree, rising with lofty stem, bears mellow
fruits not about to fall on the ground. This grove, these woods, a single(8)
bird, the phoenix, inhabits,--single, but it lives reproduced by its own death. It
obeys and submits(9) to Phoebus, a remarkable attendant. Its parent nature has
given it to possess this office. When at its first rising the saffron morn
grows red, when it puts to flight the stars with its rosy light, thrice and four
times she plunges her body into the sacred waves, thrice and four times she sips
water from the living stream.(10) She is raised aloft, and takes her seat on
the highest top of the lofty tree, which alone looks down upon the whole grove;
and turning herself to the fresh risings of the nascent Phoebus, she awaits his
rays and rising beam. And when the sun has thrown back the threshold of the
shining gate, and the light gleam(11) of the first light has shone forth, she
begins to pour strains of sacred song, and to hail(12) the new light with wondrous
voice, which neither the notes of the nightingale(13) nor the flute of the
Muses can equal with Cyrrhaean(14) strains. But neither is it thought that the
dying swan can imitate it, nor the tuneful strings of the lyre of Mercury. After
that Phoebus has brought back his horses to the open heaven,(15) and
continually advancing, has displayed(16) his whole orb; she applauds with thrice-repeated
flapping of her wings, and having thrice adored the fire-bearing head, is
silent. And she also distinguishes the swift hours by sounds not liable to error by
day and night: an overseer(17) of the groves, a venerable priestess of the
wood, and alone admitted to thy secrets, O Phoebus. And when she has now
accomplished the thousand years of her life, and length of days has rendered her
burdensome,(1) in order that she may renew the age which has glided by, the fates
pressing(2) her, she flees from the beloved couch of the accustomed grove. And when
she has left the sacred places, through a desire of being born(3) again, then
she seeks this world, where death reigns. Full of years, she directs her swift
flight into Syria, to which Venus herself has given the name of Phoenice;(4)
and through trackless deserts she seeks the retired groves in the place, where a
remote wood lies concealed through the glens. Then she chooses a lofty palm,
with top reaching to the heavens, which has the pleasing(5) name of phoenix from
the bird, and where(6) no hurtful living creature can break through, or slimy
serpent, or any bird of prey. Then AEolus shuts in the winds in hanging caverns,
lest they should injure the bright(7) air with their blasts, or lest a cloud
collected by the south wind through the empty sky should remove the rays of the
sun, and be a hindrance(8) to the bird. Afterwards she builds for herself
either a nest or a tomb, for she perishes that she may live; yet she produces
herself. Hence she collects juices and odours, which the Assyrian gathers from the
rich wood, which the wealthy Arabian gathers; which either the Pygmaean(9)
nations, or India crops, or the Sabaean land produces from its soft bosom. Hence she
heaps together cinnamon and the odour of the far-scented amomum, and balsams
with mixed leaves. Neither the twig of the mild cassia nor of the fragrant
acanthus is absent, nor the tears and rich drop of frankincense. To these she adds
tender ears(10) of flourishing spikenard, and joins the too pleasing pastures(11)
of myrrh. Immediately she places her body about to be changed on the strewed
nest, and her quiet limbs on such(12) a couch. Then with her mouth she scatters
juices around and upon her limbs, about to die with her own funeral rites. Then
amidst various odours she yields up(13) her life, nor fears the faith of so
great a deposit. In the meantime her body, destroyed by death, which proves the
source of life,(14) is hot, and the heat itself produces a flame; and it
conceives fire afar off from the light of heaven: it blazes, and is dissolved into
burnt ashes. And these ashes collected in death it fuses,(15) as it were, into a
mass, and has an effect(16) resembling seed. From this an animal is said to
arise without limbs, but the worm is said to be of a milky colour. And it suddenly
increases vastly with an imperfectly formed(17) body, and collects itself into
the appearance of a well-rounded egg. After this it is formed again, such as
its figure was before, and the phoenix, having burst her shell,(18) shoots forth,
even as caterpillars(19) in the fields, when they are fastened by a thread to
a stone, are wont to be changed into a butterfly. No food is appointed for her
in our world, nor does any one make it his business to feed her while
unfledged. She sips the delicate(20) ambrosial dews of heavenly nectar which have fallen
from the star-bearing pole. She gathers these; with these the bird is
nourished in the midst of odours, until she bears a natural form. But when she begins
to flourish with early youth, she flies forth now about to return to her native
abode. Previously, however, she encloses in an ointment of balsam, and in myrrh
and dissolved(21) frankincense, all the remains of her own body, and the bones
or ashes, and relics(22) of herself, and with pious mouth brings it into a
round form,(23) and carrying this with her feet, she goes to the rising of the
sun, and tarrying at the altar, she draws it forth in the sacred temple. She shows
and presents herself an object of admiration to the beholder; such great
beauty is there, such great honour abounds. In the first place, her colour is like
the brilliancy(24) of that which the seeds of the pomegranate when ripe take
under the smooth rind;(25) such colour as is contained in the leaves which the
poppy produces in the fields, when Flora spreads her garments beneath the blushing
sky. Her shoulders and beautiful breasts shine with this covering; with this
her head, with this her neck, and the upper parts of her back shine. And her
tail is extended, varied with yellow metal, in the spots of which mingled purple
blushes. Between her wings there is a bright(26) mark above, as(27) Tris on high
is wont to paint a cloud from above. She gleams resplendent with a mingling of
the green emerald, and a shining beak(28) of pure horn opens itself. Her eyes
are large;(29) you might believe that they were two jacinths;(1) from the
middle of which a bright flame shines. An irradiated crown is fitted(2) to the whole
of head, resembling on high the glory of the head of Phoebus.(3) Scales cover
her thighs spangled with yellow metal, but a rosy(4) colour paints her claws
with honour. Her form is seen to blend the figure of the peacock with that of the
painted bird of Phasis.(5) The winged creature which is produced in the lands
of the Arabians, whether it be beast or bird, can scarcely equal her
magnitude.(6) She is not, however, slow, as birds which through the greatness of their
body have sluggish motions, and a very heavy(7) weight. But she is light and
swift, full of royal beauty. Such she always shows herself(8) in the sight of men.
Egypt comes hither to such a wondrous(9) sight, and the exulting crowd salutes
the rare bird. Immediately they carve her image on the consecrated marble, and
mark both the occurrence and the day with a new title. Birds of every kind
assemble together; none is mindful of prey, none of fear. Attended by a chorus of
birds, she flies through the heaven, and a crowd accompanies her, exulting in
the pious duty. But when she has arrived at the regions of pure ether, she
presently returns;(10) afterwards she is concealed in her own regions. But oh, bird
of happy lot and fate,(11) to whom the god himself granted to be born from
herself! Whether it be female, or male, or neither, or both, happy she, who enters
into(12) no compacts of Venus. Death is Venus to her; her only pleasure is in
death: that she may be born, she desires previously to die. She is an offspring
to herself, her own father and heir, her own nurse, and always a foster-child to
herself. She is herself indeed, but not the same, since she is herself, and
not herself, having gained eternal life by the blessing of death.